Omnia-audio Omnia.9 Manuale Utente

Omnia.9All you can imagine. And more.Installation & User’s GuideWritten by Jim Kuzman, Telos Alliance Technical WriterVersion 0.56.02 Revised Feb

However, Omnia.9’s main sample rate MUST be set to match the rate of the external reference at either >A:I+74B4B4CC8=6B0A45>D=38=

Streams Menu1?@JD<EL:FEK8@EJK?<:FEKIFCJE<:<JJ8IPKFJ<KLG 8E;:FEX>LI<<8:? F=K?<<E89C<;<E:F;<IJ8E;

AAC Encoder Menu1?<  "E:F;<I D<EL 8CCFNJ PFL KF <E89C< FI ;@J89C<K?< JKI<8D8;ALJK @KJ FLKGLK>8@E&l

8CCF:8K<K?<9@KJ 8J E<<;<;N<I<:FDD<E;EFK LJ@E>K?<J< J<KK@E>JLEC<JJ PFL ?8M< 8 JG<:@X:r

REnabling the Allow Public Listing :FEKIFC J<KJK?< TGL9C@: C@JK@E> 8CCFN<;UY8> @E K?< JKI<8D 8Jdetermined by the ser

RThe Sample RateD<EL N@CC <@K?<I D8@EK8@E ,DE@8WJ JPJK<D J8DGC<I8K<F= B%QFI B%Q;<G<E;@E> FE K?<

RThe URL X<C; @J 8 D<K8;8K8 X<C; N?FJ< @E=FID8K@FE @J J<EK KF K?< J<IM<I KF 9< GFK<EK@8CCP;@JGC8P<

RThe Gain:FEKIFC;<K<ID@E<JK?<XE8CFLKGLKC<M<C@EKFK?<<E:F;<IMP2 Server MenuThe MP2 Server menu allows you to input

RThe TitleX<C;8CCFNJPFLKF<EK<IK?<JKI<8D K@KC<;@JGC8P<;KFC@JK<E<IJ8E;FE GL9C@: C@JK@E>JJL:?as shoutcast

RThe TitleX<C;8CCFNJPFLKF<EK<IK?<E8D<F=PFLI8L;@FJKI<8DRThe Server X<C;J?FLC;:FEK8@E K?<2/)F=K?<J<IM&

RThe TitleX<C;8CCFNJPFLKF<EK<IK?<E8D<F=K?<<E:F;<IRThe Enable:FEKIFC <E89C<JFI;@J89C<JK?<JKI<8D

JNote: 4438=6 C74 CA0=B<8CC4A F8C7 #) ?A44<?70B8I43 >DC?DC 8=BC403 >5 C74 $'. >DC?DC 70BB4E4A0; 8=74A4=C ?4A5&g

RThe Pull PortX<C;8CCFNJPFLKF<EK<IK?<J<IM<IWJGFIKELD9<IRThe Max Pull Clients :FEKIFC C<KJ PFL J<K K?<

Chapter 17 Monitor Output Menu Q: If blissfully clean audio reaches the transmitter but you can’t hear it in the studio, does it make a sound?A: Yes,

The Monitor Output Menu1?< *FE@KFI ,LKGLK D<EL F= ,DE@8 8CCFNJ PFL KF @E;<G<E;<EKCP :FEX>LI< K?< 0G<8B<I

(<<G @E D@E;K?8K8CK?FL>? JFD< F=K?<=<8KLI<JK<IDJ 8E; KFFCJ @E K?<*FE@KFI ,LKGLKJ<:K@FEJ 8I<J@D@C8

RThe Miscellaneous D<EL C<KJ PFL C@JK<E KF K?< 8L;@F 8=K<I &EGLK #@CK<I@E> 8=K<I *LCK@98E;GIF:<JJ@E>

RThe I/O D<EL 8CCFNJ PFL KFC@JK<E KF<@K?<I K?<-IF>I8D &EGLKK?<)FL;E<JJ*8K:?<; G8K:?GF@EKK?<!@

RThe I/O D<EL 8CCFNJ PFL KFC@JK<E KF<@K?<I K?<-IF>I8D &EGLKK?<)FL;E<JJ*8K:?<; G8K:?GF@EKK?<!@

RHighlighting a preset from the list places it in the Load button. Selecting the Load button puts that immediately loads the preset and moves it up

R6FL :8E I<E8D< PFLI :LII<EK GI<J<K I<>8I;C<JJ F= N?<K?<I FI EFK @J ?8J 9<<E DF;@X<; 9Pselect

RThe Lock :FEKIFC 8CCFNJPFL KF TCF:B ;FNEU8CCF=K?<J<KK@E>J@E:CL;@E>K?<G8K:? GF@EKJ8E;K?<J?FIK:LK J<KK@E>J

Chapter 3 General Processing AdviceSetting your goals and avoiding common pitfalls.Chapter 3: General Processing Advice12

RThe Volume and Master Gain:FEKIFCJ 8I<;LGC@:8K<JF=K?FJ<=FLE;@E K?<*8@E D<EL9LK8I<found here as well for convenience.

0G<8B<I:8C@9I8K@FEN?@:?@J:FM<I<;@E >I<8K<I;<K8@CC8K<I @E K?@JD8EL8C@JEFID8CCP;FE<8KI<C8K@M<CPhi

RThe FrequencyWidth8E;Gain sliders operate in the same manner as their counterparts in other J<:K@FEJF=K?<,DE@8@EN?@:?8G8I8D<K

Chapter 18 System Menu Whatever control you are looking for that is not directly related to processing is probably in here.Chapter 18 System Menu123

The System Menu1?<0PJK<D*<EL:FEK8@EJJL9D<ELJK?8KGIFM@;<JK8KLJ@E=FID8K@FE89FLKK?<,DE@8@KJ<C=8L;@F&,8E;I&

The Network Information J<:K@FE GIFM@;<J@E=FID8K@FE @E:CL;@E>K?<?FJK E8D<&-8;;I<JJ8E;* 8;;I<JJF=K?<LE@K

I/O Options Menu1?<&, ,GK@FEJ D<EL ?8J M8I@FLJ JL9D<ELJ @E:CL;@E>)F8; -I<J<K 08M<-I<J<K &EGLK FI

RThe Primary Source drop-down menu determines the audio source of each input.R&E K?<<M<EKPFL CFJ<8L;@F=IFD K?<GI@D8IPJFLI:

RThe Input Gain:FEKIFC8CCFNJPFLKF8;ALJK8 M8I@89C<>8@E JK8><8=K<IK?<:C@G;<K<:KFI8E;:8E9<used to boost level

RThe Silence Detect control determines how long Omnia.9 will wait before switching over to the secondary input source. It also determines how long th

General Processing AdviceKnow Your Goals1?<XIJKJK<G KFJL::<JJ=LCGIF:<JJ@E>S8E;K?@J8GGC@<JKF+6GIF:<JJFIEFKALJK,DE

GIF:<JJ@E>:FI<J ;<G<E;@E> LGFE :FEX>LI8K@FE 8E; 8L;@F =IFD K?< %<8;G?FE< 0G<8B<I 8E;LODFE@KFIFL

RThe Stereo Mode control allows you to choose between single-sideband (SSB) or dual-sideband (DSB) operation.REnabling the RF Bandwidth Control can

RThe MPX Test Generator and L/R Test Generator are described in detail below. MPX Test Tone Generator: Control Details and Suggested ApplicationsThe M

RBessel Null 31,187.6Hz8CCFNJPFLKFJ<K<O8:KB%QDF;LC8K@FEN@K?8 ;@I<:KF==8@IJG<:KILD8E8CPQ<I,DE@8 GIFM@;<J<

File Recorder Menu,DE@8=<8KLI<JK?I<<9L@CK@EXC<I<:FI;<IJK?8K8CCFNPFLKF:8GKLI<8L;@F=IFDM8I@FLJGF@EKJN@K?@EK?&

If you are recording directly from the Omnia.9 unit or on a remote computer with a high speed connection KF,DE@8 K?<0FLI:<N@E;FN N@C

NTP MenuThe NTP D<EL :FEK8@EJ K?<8;;I<JJ<J =FI XM< +<KNFIB 1@D< -IFKF:FC J<IM<IJ 4?<E <E89C<; NTP

Scheduling MenuThe SchedulingD<EL 8CCFNJPFLKFGIF>I8DLGKFKN<EKPJ@O;8P8E;K@D<;I@M<E<M<EKJ@E:CL;@E>JN@K:?@

RThe time at which the event occurs is determined by the Time (hours and minutes) and Second (seconds) sliders. RThe Function :FEKIFCJ<C<:KJ

GPI EnableThe GPI Enable control is used to turn GPI on or off. Please note that GPI must be disabled in order to <;@K8E;:FEX>LI<K?<@E

Making and Saving Changes%LD8E E8KLI< @J X:BC<K?< ?LD8E <8I 8;8GKJ 8E; K@I<J HL@:BCP 8E;,DE@8 @J GFN<I=LC 4@K?

#FI:FEK@ELFLJ9<?8M@FILJ<FE<$-&=FIK?<8:K@FE8J=FCCFNJRLO - Setting 1RHI - Setting 2#FIDFD<EK8IP9<?8M@FILJ<KNF

Processing Cores MenuThe Processing Cores D<EL 8CCFNJ PFL KF :?FFJ< K?< KPG< 8E; ELD9<I F= #* %!8E; JKI<8D@E>GIF

RThe Aux Monitor Output@J 8 K?@I; JG<8B<I :FEKIFCC<I J@D@C8I KF K?< 0G<8B<I 8E; %<8;G?FE<,LKGLKJN?@:? :8E9&l

RSelecting the Enter Password X<C; 9I@E>J LG  K?< FEJ:I<<E B<P9F8I; =FI <EK<I@E> 8 JPJK<DG8JJNFI;N?@:?DLJ

RThe Safe Shutdown option properly and completely shuts down the unit. This function is available FECPFE K?<=IFEKG8E<CEFKK?IFL>?K?&

HTTP Access MenuThe HTTP Access menu allows you to create a “white list” of allowable IP addresses belonging to E<KNFIBI<JFLI:<JK?8KE&

RThe ContactX<C;8::<GKJK?<<D8@C8;;I<JJF=K?<;<J@>E8K<;:FEK8:KRInformation entered in the LocationX<C;8GG<

RTapping the Update from USB button will prompt the Omnia.9 to search the USB drive for the appropriate software and begin the installation process

RThe /19C>=E<:=/2=<L5C@/B7=<9LKKFE J8M<JK?<:LII<EK:FEX>LI8K@FE KFPFLI :FDGLK<I0<C<:K@E>@KFG<

Chapter 18 System Menu149

Chapter 4 Home Screen & User InterfaceGetting touchy-feely with the GUI and learning your way around the front panel display.Chapter 4: Home Scr

Chapter 19 Getting the Sound You WantM&=4F0H>A0=>C74A O<6>==064C270N;>=384Chapter 19 Getting the Sound You Want150

Getting the Sound You WantQuality v. Loudness,DE@8 @J :8G89C< F=GIFM@;@E>JFLE;HL8C@KP JLG<I@FI KF8EP FK?<I GIF:<JJFI 8M8@

R2J< JCFN<I 8KK8:B 8E; I<C<8J< JG<<;J @E K?< &EGLK $  4@;<98E;$  8E; *LCK@98E; $ sections.R2J<T

RRaising the target of a particular band can make the audio within that band louder (providing increased gain) but this can also slow down the rel

Chapter 20 Factory Presets>=OC;8:4C70C?A4B4C%>F>AA84BThere are 34 more. Chapter 20 Factory Presets154

Factory PresetsOmnia.9 contains a good assortment of factory presets created by a handful of folks who are deeply G8JJ@FE8K<89FLK8L;@FGIF:<JJ

Big Bottom– by Leif ClaessonJK?<E8D<@DGC@<J8K?LE;<I@E>8E;9IF8;CFN<E;@JK?<?8CCD8IB F=K?@J 98E;GI<J<K1?

French Kiss – by Leif Claesson98E;GI<J<KI<D@E@J:<EKF=K?<KPG<F=GIF:<JJ@E>=8MFI<;@E #I8E:<8 ;<:8;<F

Northridge HD – by Jim Kuzman and Leif Claesson4@K? K?<<O:<GK@FEF=T-CLKFE@LDU8CC FK?<I =8:KFIPGI<J<KJ?8M<K?<@IT%!

Point Blank – by LeeXS0C@>?KCPDFI<;<EJ<8E;CFL;K?8ET'@CC#*UT-F@EKC8EBU@J898E;GI<J<KK?8KC<8EJDFI<FEK?

Home Screen & User InterfaceAt the Top of Every Screen1?< *<EL 8I 8K K?< KFG F= K?< %FD< 0:I<<E J?FNJ K?< :LI

The Blitz – by Jim Kuzman)@M@E>GIFF=K?8KCFL;E<JJ8E;?@>?HL8C@KP8L;@F8I<EFCFE><IDLKL8CCP<O:CLJ@M<HL8C@K@<JK?@J

Chapter 21 NfRemote Client Software Connecting to the other side, but with a slick remote interface instead of a medium and a seance. Chapter 21 Remo

Omnia.9 Remote Interface Software1?<,DE@8I<DFK<@EK<I=8:<JF=KN8I<+=/<DFK<@J8J<G8I8K<T:C@<EKUJF=KN8I<

Understanding the NfRemote Connection WindowIt is possible to connect to any number of Omnia.9’s individually or concurrently using NfRemote.RThe Comm

IForce Lossy enables lossy streaming even on connections that are on the border of being too slow and forces lossy streaming even on fas

,E<<O8DGC<F=?FNK?@J:8E9<LJ<;@J=FI K<:?E@:8CJLGGFIKP:I<8K@E>8E FLK9FLE;:FEE<:K@FEPFLare connecting to t

R4?<E J<C<:K<; K?<Audio Enable feature allows processed audio to from various patch points within the Omnia.9 to be streamed dir

Save Preset MenuJust like the Load PresetD<ELK?@J FG<I8K<J C@B<@KJ :FLEK<IG8IKJ @E FK?<I J<:K@FEJ F= ,DE@81?<

Setting Up the Client Software for Calibration#FIK?<<O8DGC<9<CFNC<KWJ8JJLD< K?8KPFL 8I<:8C@9I8K@E>PFLI JKL;@FDFE@

9I@>?KI<;K8I><KN@E;FN1?@JN@CC8CCFNPFLKFI<;L:<I8K?<IK?8E9FFJKDFJKF=K?<=I<HL<E:@<JN@K?K?<param

portion of the display and the bottom portion will change to accept your password via the on-J:I<<E B<P9F8I;!<G<E;@E> LGFE?FN

Tweaking After Calibration6FL D8P EFK@:<K?8KN?@C<PFLI JG<8B<IJ JFLE;J@>E@X:8EKCP 9<KK<I K?8E K?<P ;@; 9<=FI<

Chapter 22 Frequently Asked Questions (FAQ)Answering your questions before you even ask them. Chapter 22 Frequently Asked Questions (FAQ)171

Frequently Asked Questions (FAQ)How do the physical rear panel inputs relate to the various processing cores?A fully-optioned Omnia.9 can take in

1?FL>? K?<I<8I G8E<C;@>@K8C@EGLKJ8I<C89<C<;T*8@E&EUT"0/<=<I<E:<U8E;TLO&EU@E8E &l

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I’m having difficulty getting my Omnia.9 on my local network. I can’t “ping” it either.J8 J<:LI@KP D<8JLI< ,DE@8 @JEFKTG@E>89C

1FJ<KLG 8E&-8;;I<JJE8M@>8K<KFK?<'GAB3; 'GAB3; =<L5 $=<L5C@/B7=<menu from the =IFEKG8E<

R2J@E>8:FDGLK<IK?8K@J8CI<8;PBEFNE KFNFIB FE K?<E<KNFIBLJ<8E"K?<IE<K:89C<KF:FEE<:K,DE@8 ;@I&l

Chapter 23 Signal Path Diagrams Morbidly curious? Want to look smart in front of co-workers by staring intently at block diagrams? This chapter is for

RSelecting and holding down either of the arrow buttons will bring up a list of these places so you can re-visit them directly.R!FL9C<

Signal Path Diagrams*8EP LJ<IJ F= K?<,DE@8 N@CC 9< :FEK<EK N@K? GCL>>@E>@K@E D8B@E> K?< E<:<JJ8IP &

Physical InputsChapter 23 Signal Path Diagrams181

Input / Output OverviewChapter 23 Signal Path Diagrams182

Input SectionMPX InputMPX OutputChapter 23 Signal Path Diagrams183

MPX Patch PointChapter 23 Signal Path Diagrams184

Pre-emphasis Patch PointChapter 23 Signal Path Diagrams185

UndoChapter 23 Signal Path Diagrams186

Input AGC/WB AGC1Chapter 23 Signal Path Diagrams187

WB AGC2 / AGC3 Post-MultibandChapter 23 Signal Path Diagrams188

WB AGC2 / AGC3 Bass Wideband Chapter 23 Signal Path Diagrams189

Tier 1 MenuTier 2 MenuTier 3 MenuTier 3 ControlsResize BarsThe Three Basic Control TypesThere are three basic types of controls in Omnia.9:ROn/Off but

WB AGC2 / AGC3 Bass OnlyChapter 23 Signal Path Diagrams190

Multiband ProcessingChapter 23 Signal Path Diagrams191

Speaker ControllerChapter 23 Signal Path Diagrams192

Chapter 24 0G<:@X:8K@FEJ)8E4C8=60=32><?4;;8=6502CB0=3P6DA4B 6/>B3@'>317L1/B7=<A193

Specifications-I<C@D@E8IPJG<:@X:8K@FEJ8KK?<K@D<K?@JD8EL8CN8JGI@EK<;8I<GIFM@;<;?<I<Frequency ResponseR;

Power RequirementsR3 %Q8LKFJ<EJ@E>RPower ConnectorR&" D8C<;<K8:?89C<N@I<GFN<I:FI;JJLGGC@<

,DE@80LG<I@FIM<EL<"8JK C<M<C8E;,?@F201<C#8OFDE@88L;@F:FD196

Table of ContentsGetting the Most From This Manual Page 3Chapter 1: The Omnia.9 Story Page 5Chapter 2: Quick Startup Guide Page 8Chapter 3: Gene

Chapter 5 Reading the Processing MetersA meter is worth a thousand words, or how to connect what you see to what you hear.Chapter 5: Reading the Pro

Reading the Processing MetersUnderstanding the Processing Meters DisplayThe Processing Meters Display provides a tremendous amount of information abou

•The Input AGC levels are indicated by a bright yellow bar. The Wideband AGC1 levels are shown 8J 8 ;8IB FI8E>< 98I <OK<E;@E> 9&

Chapter 6 The Home MenuM+74A4OB=>?;024;8:47><4N>A>C7HChapter 6: The Home Menu23

The Home MenuOmnia.9’s Home Menu @J K?<?@>?<JK C<M<C D<EL 8M8@C89C<@E K?< LJ<I @EK<I=8:< #IFD ?<I<

Chapter 7 Inputs 1/2/3 Source Audio Menu“The only source of knowledge is experience.” - Albert Einstein“The only source of audio are those jacks on th

Source Audio Menu - Inputs 1/2/3Each of the inputs has its own Source Audio Menu and Undo Menu. Input 1 is always used for FM/%!0KI<8D@E>

8C8E:<9<JLI<KFDFE@KFI 8KK?<-IF>I8D &EGLKG8K:? GF@EK1F DFE@KFI 8L;@F@DD<;@8K<CP 8=K<ILKF8C8E:<:?

RSelecting the Internal Playback button will start audio playback from Omnia.9’s internal library of songs. JWARNING: This will interrupt the progra

Chapter 8 Inputs 1/2/3 Undo MenuConfucius said that when faced with what is right, leaving it undone shows a lack of courage. Call us brave.Chapter 8:

Getting the Most From This ManualIf you read nothing else, read this.Getting the Most From This Manual3

Undo Menu - Inputs 1/2/3 What Exactly Is Undo?&E FI;<I KFLE;<IJK8E; ?FN KF 9<JK LJ<2E;F@K @J ?<CG=LC KFLE;<IJK8E;

8L;@F8E;98J<;LGFEK?8K@E=FID8K@FE GCLJK?<J<KK@E>JF=K?<M8I@FLJ :FEKIFCJK<CCJK?<<OG8E;<I?FNmuch dynamic ran

NFI;F=:8LK@FE89FLK2E;F&EB<<G@E>N@K?K?<TJG@I@KUF=,DE@8N<?8M<EFK9CF:B<;8::<JJKF8EPF= @KJ :FEKIFCJ

De-clipper MenuThe De-clipper menu contains a single control to set the level of de-clipping in 5 stages. Lower settings F==<IDFI<:FEJ<IM8K

1F GLK K?@J :FE:<GK @EKF KI8;@K@FE8C GIF:<JJ@E> K<IDJ @K @J J@D@C8I KF T98E; :FLGC@E>U @E 8 DLCK@98E;:FDGI<JJFIN

RThe Attack and Release:FEKIFCJ=FI <8:? 98E;;<K<ID@E<J ?FN HL@:BCP K?< <OG8EJ@FE I8K@F N@CCKI8:B 8CFE> N@K? K?<

RThe Attack speed controls determine how quickly Undo reacts to incoming audio peaks. Faster settings will make Undo more reactive to smaller incomi

RThe Relative Threshold control for each band determines how far below the currently detected G<8B K?< <OG8E;<I K?I<J?FC; J@KJ )F

RThe Expander Attack JG<<;:FEKIFC;<K<ID@E<J?FNHL@:BCP<8:? 98E;WJ<OG8E;<I N@CCI@J<N?<EK?< 8L;@F@J @E E

Multiband Expander MetersSpeed Governor MetersExpander Ratios Menu"8:? 2E;F<OG8E;<I98E;:8E FG<I8K<@E 8 I8E>< F=I8K@FJ

Getting the Most From this ManualLet’s be honest about a few things right up front:R,DE@8 F==<IJ 8 CFK F= GFN<I 8E; Y<O@9@C@KP :?8

Chapter 9 FM Menu Processing for FMYou have to start somewhere. Here is good.Chapter 9: FM Menu - Processing for FM40

FM Menu: Processing for FMYou Have to Start Somewhere: The FM Menu1?<D8@E#**<EL:FEK8@EJ=FIJL9D<ELJ=FI-IF:<JJ@E>*-5&EGLK

FM Processing MenuThe FM Processing menu provides access to all sections of the main FM processing core. From this D<ELPFL:8E CF8;8E;J8M<

=K<I:?8E>@E>8EPG8I8D<K<IF=8 GI<J<K8E*8GG<8IJE<OKKFK?< LII<EK-I<J<KE8D<8E;K?<K<OK

Preset Protection MenuThe Preset Protection *<EL 8CCFNJPFL KF G8JJNFI;GIFK<:K 8 GI<J<KJFK?8K@K:8EEFK9<DF;@X<;FI:FG@&

RThe Phase Scrambler button enables or disables the phase scrambler. Certain sharp sounds with ?@>? ?8IDFE@: :FEK<EK JL:? 8J KILDG

RThe Threshold :FEKIFC =FI <8:? 98E;J<KJ K?<GF@EK 8K N?@:? ;FNEN8I; <OG8EJ@FE 9<>@EJ1?<range of this control is fr

K?<&EGLK$ D<K<I8LKFD8K@:8CCP 8;ALJKJ8J E<<;<;N?<E :?8E><J 8I<D8;<KFK?<&EGLK$ *8O@DLD $8

RThe Gain slider determines how much the audio selected with a combination of the Frequency and Width sliders is boosted or cut. Each band

the rate of release. Increasing the setting progressively makes the release speed of the audio faster as gain decreases.RThe 3-band Sidechain Equalize

Chapter 1 The Omnia.9 Story“Once upon a time...”Chapter 1: The Omnia.9 Story5

Stereo Enhancer Menu,DE@8 F==<IJ8 LE@HL<DLCK@98E;0K<I<F"E?8E:<IN?FJ<KFK8CELD9<IF=98E;J@J;<K<ID@E<;

RThe Band slider determines the number of bands in the multiband processing section and ranges from 2 to 7. RThe Maximum GainRatio Gate Threshold

It is worth mentioning again here the importance of a concept unique to Omnia.9. Most (if not all) other GIF:<JJFIJTKFGFLK8KUSK?8K@JK?<

Multiband Thresholds section is determined by the number of bands of processing used in the Current Preset. RThe AGC Target controls set the target

D8O@D@Q< CFL;E<JJ D8P XE; K?8K 98I< MF:8CJ :FD< K?IFL>? N@K? LE8::<GK89CP ?@>? C<M<CJ F= 8L;@9C<distortio

RThe Transient Enhance Maximum GainRatio Attack JG<<; Release JG<<; Target Gate Threshold, and Freeze Threshold controls wo

REach Band Level control has a range of -12 to +12dB in one-quarter dB increments. RThe Band Mix (coupled) :FEKIFC 8CCFNJ PFL KF8;ALJK K?<

D@E;K?8K8J<KK@E>F=D<8EJK?<:FEKIFC@J8KK?<D@;;C<F=@KJI8E><9LK;F<JEFKE<:<JJ8I@CPmean that no c

"8:?F=K?<J@O!@JGC8P9LKKFEJ8CCFNJPFL KF:?FFJ<N?@:? GIF:<JJ@E>G8I8D<K<IJFIM@JL8C@Q8K@FEJ=IFDone of Omnia.9’s valu

<P<JJ<<FEK?<D<K<IJN@CC :F@E:@;<N@K? N?8KPFLI<8IJ8I<?<8I@E>(<<G @E D@E;?FN<M<IK?8K

The Omnia.9 StoryHow Omnia.9 Came to BeJF=K?<I<C<8J<F=K?@JJF=KN8I<M<IJ@FE8E;@KJ8JJF:@8K<;;F:LD<EK8K@FE,DE@8?8

Loudness Meters MenuThe Loudness Meters D<EL GIFM@;<J J<G8I8K<CFL;E<JJ D<K<IJ =FI -IF>I8D &EGLK*-5 ,LKGLK)/

Modulation Meters MenuThe Modulation Meters menu displays the modulation levels of the MPX output of Omnia.9 as well as any processor or applicable

Oscilloscope MenuThe Oscilloscope menu allows you to monitor a very wide variety of input and output points from various stages of Omnia.9’s processin

RThe Oversampling :FEKIFC <E89C<J FI ;@J89C<J K?< FJ:@CCFJ:FG<WJ O FM<IJ8DGC@E> =LE:K@FE4@K?FLKFM<IJ8DGC@E>

RThe Undo Control Signal patch points allows you to view the control signal from each of the individual bands in either the left or right channel.RTh

RSet Gain to 0RSet Lines to 0R0<K7FFDKFO+FK<K?8KN?8KPFL8I<J<<@E>?<I<@JK?<8:KL8CG@CFK<OKI8:K<;=IFDK?&

8M<I8><J 8I< 8CJF LJ<=LC =FI 8;ALJK@E>CFN<I =I<HL<E:@<J1?< I<:FDD<E;<;J<KK@E> =FI JG<8

RThe Delay control works the same here as it does previous and subsequent display sections.RThe Resolution:FEKIFCJ<C<:KJK?<ELD9<IF==

RSet Peak Hold to “On”R0<K5 <EK<IKFB%QR0<K54@;K?KFB%QRSet Y-Center to -90dBR0<K6/8E><KF;RSet dB Scale Positio

Chapter 10 FM Menu ITU-R BS.412 Processing / MPX Power LimitingM4E4;>?01D8;C8=*34C42C>ANA=4BC4<8=6F0HChapter 10: FM Menu - Pro

That’s A Lot of Power…&= @K JFLE;J C@B<K?<I<WJ 8 CFKKF,DE@8 N<CCK?<I<@J ?8E:<J8I<,DE@8 @J LEC@B<

The FM Menu: Processing for ITU-R BS.412 / MPX Power LimitingITU-R BS.412 requires that the average MPX power be limited to a particular standard a

&E8;;@K@FEK?<-IF:<JJ@E>*<K<IJ;@JGC8PN@E;FNEFN @E:CL;<J8D<K<I=FIK?<-FN<I)@D@K<I 8E;K?I<<D&

RThe Power Limiter Drive control determines the amount of limiting performed by the MPX Power )@D@K<IN@K?8I8E><F=;8;ALJK89C<@E

Chapter 11 FM Menu RDS“Keep your eyes on the road, your handsupon the wheel.” - Jim MorrisonChapter 11: FM Menu - RDS73

The FM Menu: RDS1?</!0:FEKIFC J<:K@FE F=,DE@8 :FEK8@EJK?<*8@E/!0D<ELX<C;J=FI-IF>I8D0<IM@:<-0 8E;/8;@F 1

R4?<EJ<KKF,==B%Q/!0@JKLIE<;:FDGC<K<CPF==9LKK?<8L;@F<OK<E;J8CCK?<N8PFLKKFB%Q &K @J EFK

<JLI<KF<E89C<K?<GIFG<I*-5@EGLK=FI/!0LJ<&EGLKFI&EGLK@EK?</!0*F;<D<EL8E;J<KK?<

Using an RDS Encoder That Does Not Provide a Pilot Signal0FD</!0<E:F;<IJK8B<K?<G@CFKJ@>E8CF=K?<GIF:<JJFILJ<@K8

RThe (@/4L1$@=5@/; ($ Y8>N?<E <E89C<;8CCFNJ C@JK<E<IJ KFXE;FECPJK8K@FEJ K?8KI<>LC8ICP9IF8;:8JKKI8=X:9LCC&l

1PG@:8CCP K?< $' L3:2 S 8E :?8I8:K<I JK8K@: ;@JGC8P S :FEK8@EJ K?< :8CC C<KK<IJ F= K?< JK8K@FE S =FI<O

Chapter 2 Quick Startup GuideIn a hurry to get your Omnia.9 on the air? We understand.Here are the down-and-dirty bare-essentials to get you up and ru

4?<E <E89C<;Dynamic PTY indicates to listeners that the type of programming on your station may :?8E><G<I@F;@:8CCP1?@JNF

Chapter 12 FM Menu MPX Inputs*><0=H?>BB818;8C84B5A><CF><>34BC%902:B Chapter 12: FM Menu - MPX Inputs81

The FM Menu: MPX Input,DE@8 GIFM@;<J KNFI<8IG8E<C*-5 :FDGFJ@K< @EGLKJN?@:? :8E 9<LJ<;=FI 8 M8I@<KPF= GLIGFJ&l

RThe Input Gain slider sets the input level of each of the two MPX Inputs in a range from -12dB to +18dB in one-tenth dB increments.

RThe Physical Input control determines which rear-panel input is routed to the pre-emph input patch point.RThe Source :FEKIFCJ<C<:KJN?<

Chapter 13 FM Menu Meter OptionsSeeing what you hear.Chapter 13 FM Menu - Meter Options85

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Chapter 14 Studio Processing Menu“Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard w

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Chapter 15 HD Processing Menu!DBC;8:4?A>24BB8=65>A$except for how it’s different.Chapter 15 HD Processing Menu93

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Loudness Matched A/B MenuLoudness matching for HD works in the same manner as the corresponding section of the FM processing core previously describ

Chapter 16 Streaming Processing & Encoding Menu No transmitter? No tower? No problem.Chapter 16 Streaming Processing & Encoding Menu98

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